tiagos interzona 13 label has quietly gone about its business across three acclaimed and sold-out eps. his unique reputation as a dj is matched by the distinctive and unrivaled quality of his productions. for his fourth outing tiago treads an arguably more experimental path, and using sem titulo (untitled in portuguese) on three of the cuts here only adds to the mysterious nature of the sonic treats within. present, as always are the deft rhythm sections and powerful arrangements, as subtle elements of disco, techno & new wave provide the bedrock for his trademark off kilter melodies and soundscaping. the darker underbelly of club life may well be the inspiration, but the mood and execution are pure tiago! another beauty then from this outstanding, diverse and incomparable imprint.

alphabets heaven delivers his fourth release everything stays the same, following last years critically acclaimed ep siamese burn

kidnap kid returns with a new single *stronger* which sees the award winning young london via sheffield, producer, real name matt relton, apply his singular touch to a six-and-half-minute dark and emotionally charged house epic. highlighted by expressive piano chords and a haunting vocal refrain. *stronger* displays the deft musical instincts and production flourishes that have singled him out as one of the uks hottest up and comers.

the windtalkers ep comes to vitalik courtesy of the acclaimed collaboration of jef k and chris carrier. individually these two stalwarts of the french house scene are known as master-craftsmen of rhythm, renowned for their tight grooves and deft beat construction. together they compliment each others sensibilities beautifully, as seen on tracks like? in my system? which they collaborated with chicago legend chez damier to form the gathering and now again on the forthcoming windtalkers ep.

following on from killawatts bring down the walls ep at the tail end of last year osiris music continues to expand their sonic boundaries as they move in 2014, with their first release of the year coming in the form of sleepers simulation theory ep. experimenting for the very first time with fm synthesis, the ep features seven tracks of thunderous production the majority of sounds for which sleeper drew from a mere four oscillators in a bid to recalibrate his production skills. the resulting record is far more than the sum of its component parts and, save for the skulking, static soaked tension of meth, moves with relentless force and purpose throughout.the simulation theory ep sees sleeper taking his already deft grasp of both dubstep and techno production and fusing them to a body of pummelling forward momentum perfectly suited to set osiris music off on what promises to be a bold and progressive year.

quick-firing into the new year, doc daneekas ten thousand yen returns with the absolute dance heat that is bodhi, *i need you e.p.*. the pair rose to prominence over the last two years with deft mixes for people like the xx & sampha and london grammer. releasing original material via channels like grizzly and australias future classic, bodhi join forces with their welsh compatriots at ten thousand yen for these collection of rough and ready, yet soul burning dance floor bombs. these have been doing serious business in the clubs. i need you!
the vinyl ep includes a downloadcode.

clap! clap! is longtime jazz player cristiano crisci, also known in electronic circles as digi g alessio. with cross genre accolades and support spanning the globe he is already established a one of italys brightest talents, supporters include, annie mac, diplo, toddla t, skream ...
here in full chopped up afro-future mode he fuzes the hiss crackle and fuzz of heavy tribal sampling with broad stroke drum programming. the fluidity of time signatures and deft jazz minded drumming gives the tambacounda a woozy and hallucinogenic feel, tracks travelling from deep jungle drama to carnival ecstasy.

ushering in a big new year for doc daneekas ten thousand yen is one of the most exciting underground artists to emerge over the last few years. combining a bruk shuffle with a natural flare for techno, presk has been carving out his own subtle niche since 2011. each track on this release stands tall alone, showcasing presks natural leanings, from the raw broken funk hit of *saluki*, the warped techno of *mod1 & rais* to the deft touch of *vigor*. this is presk at his very best, showing whats to come of this exciting producer and marking a very fitting return to the label. with support already from gilles peterson and a prime slot on jackmasters soon-to-become-legendary mastermix 4, saluki is set to be around for a while. don t sleep on this one.
includes immediate download of 4-track album in the high-quality format of your choice (mp3, flac, and more).

istanbul is on fire! this release is somewhat of a turkish delight with 3 turkish producers featured on the release. a new release from acclaimed turkish producer kaan duzarat with his deft production hand, the release sporting remixes the world over from prime numbers boss trusme, sydney based murat kilic and kaans reliable istanbul homie sarp yilmaz.

oneoffs volume 3 offers just like the previous volume four new cuts from four different producers. first up we got swedish producer jonas rathsman and *yes i am*, a lush deep house track that is both heartfelt and sublime. let it breathe on a large sound system for maximum effect! ending the a-side is duo twinpeaks funk-fuelled ride *not that tech house - dj tool dropped by paris hilton you were searching for*. a track that would fit right into any peak time set, even by paris hilton. want from pixel82 is a punchy track with its scattered synth chords, jerky hats and a thick groove followed by *life is a gamble* where jesse futerman takes us on a soul inspired journey of deft sample manipulation

landshapes is the sound of four people in a dingy practice room, building on accidents, listening over and reworking obsessively until every band member is satisfied. an unconventional and serendipitous a process it might be, but it is crucial to landshapes overall sound.
their debut album rambutan – the name chosen *not so much after the fruit but for the sound the word makes* and produced by ash workman is a distillation of songs old and new, re-worked and fine tuned with a deft precision.
vinyl lp includes cd-version of the album.

victor simonellis groove committee alias inspired much of the upbeat vocal house we hear today thanks to seminal releases on nu groove records in the early 90s. simonellis *i want you to know*, from the eponymous ep released in 91, enjoys a rerelease and remix overhaul on the upstart deep down slam label. inner senses knows the truth mix boosts the overall presence of simonellis original, by reinforcing the drums, hats and chords with deft touches of neoteric sound design, while deep down slam label-head washerman opts for cut up and interspersed vocals and loopy instrumentation in his mix. french house ball of fire kool vibe, turns up the heat - and punch - in his chord riffing remix, paying homage to a originator that has no doubt influenced his own productions.

following on from deft earlier this year and the inaugural release for this label from placeholder in 2012, space hardware returns with a new ep from blacksmif. born yemi olagbaiye, he is a producer who has received hearty props from mary ann hobbs, fact mag and radio 1 for his strange and wonderful sounds on labels like blah blah blah, paradise club and tom middletons sounds of the cosmos. dutchman and klakson co-boss dexter also turns in a remix to complete this package.

fluxus is danny scrillas first transmission for civil music and the munich based producers second release. following on from 2012s flash powder ep for om units cosmic bridge label, *fluxus* sees scrilla in expected fine form, and takes in four original neck snapping instrumental tracks plus two remixes from japans deep medi member goth-trad and london producer and one to watch deft. on fluxus scrillas productions run at 80-90bpm / 160-180 bpm exploiting slowfast halftime tempos yet are seemingly engineered from the sonic essence of 06 og dubsteps dark sparse dreadnought sounds, with waves of quaking bass growing under iced-out percussion accentuated by toiling snares. floating chords and hypnotic melodies drive skeletal riddims, sci-fi synthlines arc over the spacious heavyweight ruffage built for towering stacks and pitch black rooms.

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

is it balearic hit their late 20s with another superb release - this time craig bratley steps up with analogue dreams. craig has earnt quite a reputation from only a handful of releases, including the weatherall favourite and classic cut >birdshell< on instruments of rapture. on analgue dreams, craig lays down a gently evolving, acid tinged piano slow burner, all mood and melody. first up on the remix we have the ever essential bonar bradberry who amps things up and takes a clonking bass riff down the disco for a real good time. on the flip crimea x pare the musical elements right down and build an epic remix from the raw ingredients, employing live percussion and shimmering synths. finally joes bakery dial down the tempo and incorporate some deft acoustic guitar and gentle moodswings alongside the musical elements of the original.

dusty baron aka latecomer may be a recent arrival on the scene, but he plays like a true veteran. a mysterious export from the around same eastern latitudes as label boss vakula, his music, much like vs, sounds just as rooted in the post soviet russian landscape as it is in the post industrial north america which gave rise to all the soul and machine funk that is the driving inspiration for so many of todays roots conscious electronic artists. vakula takes the controls on side a with dubwise and exotic production skills whilst side b showcases the barons heavy heavy chops, with drum programming as deft as his keys work, and a sound which is equal parts earthly and heavenly. sides c & d (on bonus 7inch) see v step up to offer two takes on >follow shot<, continuing the theme of techno tinged jazz cosmism. a noble introduction, by way of collaboration, to the dusty baron and his sound, and yet another installment in lelekas continuing contribution to the musical space time continuum.

limited edition, including artwork print by robert colquhoun and code for free mp3 download of this release.

laurine frosts long overdue second ep for thema is upon us in all its dark, oblique splendor. 2009s thematique showed the mysterious hungarian producers deft sound design and uncanny programming married with a wide breadth of musical tastes and unpredictable choices of composition. it seems that these attribute have only sharpened and are now driving a much more groove-focused approach. so enjoy this, yet another left turn from thema. we are proud to bring you the best from those artists working beyond the well-worn paths of electronic dance music and we are glad laurine could come back to guide us just a little farther off that path.
pressing on transparent vinyl.

straight from germany, this talented producer delivered some of the best deep house music around. entitled >the first floor ep<, it starts with >show me< which is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. whilst >rooted< is a louche head nodder supreme. on the flip side, with >got that< hes creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >defense< showcases hes excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. and to last,>trouble< is all brisk, upright percussive layers splayed over swooping disco filtration. nicks approaching house from various angles and tempos and naturally theres plenty of deft usage of samples, such an ep just demonstrate how on top of their game skylax / wax classic is right now - big tip!

b. riddim is luis manuel fidalgo fernandes sequeira, a 24 yr old portuguese living in london. the sounds on this ep encompass dubstep, dub reggae, grime, rave and electronica. b.riddim shows a deft touch on all cuts. his appreciation of and understanding of dub and its modern idioms sounds totally convincing over the whole ep.

gui borattos dark 2011 masterpiece >iii< was brimming with deft highlights, but not every one of them was aiming at the floor. showing his expertise in more than one style, the brazilian producer wove an intriguing web of beats and sounds that even surprised his most dedicated fans. >destination: education<, a slightly saturnine rhythm study featuring the return of guis wife luciana on vocals (who also sang on the classic >beautiful life< from debut album >chromophobia<), now gets pushed into the spotlight by dancefloor gurus terranova and tale of us, both tweaking the track to its optimal danceability. a must have for boratto zealots and crowd-sensitive djs alike, this 12 inch presents two heavy-duty bangers tailored to every partys needs.

12 inch auskopplung aus dem gang colours debütalbum mit drei killer-neuinterpretationen: machinedrum beschleunigen das original mit atmosphärischen breakbeats, der heiss gehandelte ifan dafydd betritt untergeschössige dub-gefilde, und deft entwickelt aus einem sanften, hypnotischen groove ein dramatisches crescendo aus schillernden synths.

grammy nominated hannover producer martin buttrich gets down to business with this sharply delineated four track ep, his first release since his >crash test< lp on desolat. buttrich is known for his deft hand with spacious, warm tracks that crackle and snap. his propulsive techno and house music re filled with compressed living sounds. on tracks like >fireball< and >magic market<, crisp percussion shimmers around snug-fitting basslines, with snares and toms moving the speaker cones insistently. >fireball< will quietly smash the dancefloor, with rhythms so taut you could bounce nickels off them. the heavy kick of >rocket< anchors it to agitated drums slowly enveloped by a melodic soup, inflected with disrupted noises as it sweeps over the listener. >20 ways< has a reflective and fresh feel, like city lights seen through rain, with a peppy beat that swaggers along. then theres that bass again, bringing disarming warmth, and always with the underlying influences of reggae, hip hop and soul... music lovers who purchase the vinyl release will be treated to a free download voucher for all the digital versions, as well as additional bonus tracks. the 4 bonus tracks wont be available to digital-only customers at this time

san francisco-based producer antiserum steps up for dub police with two unique collaborations, featuring local producers ill-esha and 12th planet respectively. his music is a masterfully crafted fusion of influences that results in a sound entirely his own, balancing light against dark and colour against pure bass pressure. showcasing a deft musicality as well as an unrivalled talent for system shaking productions, antiserum is taking the scene by storm. releases on narco.hz, s.c.u.m and argon amongst others have already propelled him to the forefront of the rapidly growing american dubstep scene, with plenty more still to come. on the a side, he is joined by ill-esha on >zephyr<, a sick g-funk inflected roller. skittering hi-hats and tough drums lay the foundations on this one, with the deep, smooth bass sweeping underneath. the vibrant synths weave in and out of each other with ease, swimming around the mix and swelling expansively through the speakers. on the flip he teams up with 12th planet on the massive >purple & gold<. the g-funk influences continue to flow through this track, pinned down by a hard bassline and taut drums. the shimmering synths sliding over the top of the percussion and off into the atmosphere give the track an epic stop-in-your-tracks effect.

new leng act mountaineer bring us their debut 12 inch for the label as a precursor to their album. the remix treatment here is coming from two great teams! on side-a we have the idjut boys giving us yet another genre defying direction with a sumptuously dubby take on golden chalk. this one keeps on building from a delicate strummed intro, with delayed vocals, the track slowly draws you into a deep sea of sub bass and guttural wobbles. the idjuts deft hands once again delivering a lesson in subtlety and arguably one their finest works to date. on side-b tuff city kids rework the always coming home in a wholly different way, fat 80s dub bass, hefty hand-claps and linn drum fills underpin some soaring atmospheric synth work. with the vocals dropped, this is the side for the deep-end of the club, as tcks gerd jansen well knows. a must have 12 inch!

disconnected sounds launches with a one off pressing of 300 hand stamped and individually numbered white labels. dscntd 001 is a four track ep featuring a varied and stunning array of cuts from newcomers, deft, hugh pascall, chocky & adam curtain. the record begins with croydon boy defts luscious down tempo joint >paradise<. classically trained jazz musician hugh pascalls follows on with >joy padding< which is a slice of breathtaking syncopated electronica. the b side takes us in a housey direction, kicking off with chockys >scat<, a deep, groove laden, head nodder. while >calcut<, a percussive, twisted 4/4 sub-bass work out by nottinghams adam curtain finishes the whole thing off.

james whats debut release for crosstown rebels is a two track single of sheer class! a hypnotic, hooky emotive pair of dancefloor weapons that will not fail to get under your skin. his deft production skills are championed here in this irresistible new single, truly sublime!

2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word

following on from their last two sell out eps, foto recordings (run by ali ooft!) enlist the talents of deep space orchestra for release number three in the catologue. first up >riding in my imaginary jeep< showcases their trademark old synths/modern production aesthetic to full effect, taking in classic drum machines and warm synth lines to produce an epic piece of deep house. second track >sir shina< sees them doing some deft sample-manipution with a big chugging midtempo jam the result. ooft! meanwhile give >riding< the once-over, beefing up the low end whilst retaining most of the musical parts.

a tasty 4 track appetizer for their album due out in jan 2011 on lovemonk. not really edits, but diced up loops and breaks reworked with synths, drums and deft studio magic. you might hear some bar kays or dc la rue on here. fans of italo or cosmic disco tracks should definitely dig it.

numan khan from manchester is a new artist for planet mu with an original musical style that mixes dubstep and grime influences with an idiosyncratic take on rhythm to great effect.
this four track ep showcases his styles from the a side with the lush melodic accordian and snes melodies of >race against time<, to the slower, disco influenced >photograph<.
the b side starts with >voodoo<, which combines grimey bass and strings with offbeat drums to odd, driving effect and finishes with >xx< which sounds like a long lost golden era 8-bit grime instrumental but with deft production tweaks and fx that keep it interesting and effective.

baby ford and zip continue a fruitful partnership with some uber cool, super deep minimal techno on pal sl records. >clean hands< sees a hushed and soulful vocal wafting over atmospheric synth scratches, ultra low end bass and deft high end clicks and shuffles. >for how long< is even more reduced, letting the space between the sparse sounds say as much as the sounds themselves. truly unique sounds from this talented pair.

>general motors, detroit, america< is the first offering to emerge from the mysterious parisian dance duo, acid washed. the influence of chicago and detroit techno lingers on the backseat in this six-minute joy-ride of sprawling atmospheric electronica. on the flipside, snake amply showcases a different, more collaborative side to acid washed. berlin based newcomer, barbara panther, catches the eye with a sultry vocal performance with a sting in the tail. equally adept at providing softness, her dynamism shimmers alongside the deft production. as per usual, record makers have assembled a stellar remix package. put in the hands of blackstrobe, the measured quality of general motors, detroit, america finds itself infused with a tension that thrills and flickers with a brooding energy that belongs on the dancefloor. gavin russom (dfa) calms the restless pulse at the heart of snake, evoking the aztec spirit of dj rolando before overdrawn arpeggiated solos are used to disrupt with pleasing effect.

after the smash that was shatnereffekt one, handsette recordings return, bringing a host of diverse and super talented artists from around the world together on one massive ep and another essential array of electronic music.
kicking off the ep is kritical audios >spandex<, a tune that comes slow on the heels of the swedish duos 2006 braindance monster >krupp<. the swedish duo have come with an itchy slice of razor sharp electrofunk with a burbling acid bassline thats currently being caned by surgeon and rob hall (who says, i ve been playing the kritical audio track a lot. good stuff )... this is a big tune!
next up we have miles tilmanns >spirex< which starts with a wonky off beat that gives way to some wacked-out rubbery bassline action and a lead line that could have come from the keyboard hands of harold faltemeyer or parliaments bernie worrell.
following that is c. mantles >that other eden<. fearsome and delicate, morose and savage, >that other eden< is a serious piece of dancefloor heft with reese basslines burbling under a clattering beat before dropping away into a slightly terrifying double-drop breakdown.
unity gain temples >sahmo< rounds out the ep with a glistening, truly beautiful piece of work. the heavy kicks of the intro are met by a rush of lush chords and deft touches of melody, driving the track into a space that is pure audio luxury and reminiscent of brothomstates, arovane and tippers more contemplative moments.

this is the first in a series of three various artist 12 inch releases, that features four of the dublin labels most trusted henchmen. puresthatreds >robbery< is his debut track on mantrap and what an awesome one it is: dark imposing bass and beats meet the sound of smashing glass, rave led keys and all round mayhem, with haunting strings that send this one into deepest hell. meeting him there is magnetize, who in one take supplied this evil vox led synth grinder in >distant observer< , with deft 808s and distorted crackling fx creating both a scary but grooving feel. rory st john pushes wobbly techno eccentricity on >dysentry<, with fluid editing and supreme use of effects proving again why he is one of the most exciting new talents around. sunil sharpes >print more money and shut up!< is a slippery mover, where a succession of unruly lead sounds accompany odd vocals and rasping hats - with a straightforward approach that will penetrate all in its way. so, four top class techno cuts here, all with their own unique character and all for peak time play.

british staples charles webster and swag contribute two dancefloor driven remixes of songs from the beautifully rich and downbeat debut album from australian producer peret mako. with his interpretation of >export< charles webster expertly weaves the vocals of tania bowra into a sensual nugget of 4am bliss, tried and tested on the future classic dancefloor by charles himself on his recent visit to australian shores. the flip shows swag in a bumpin and grindin state of mind with a jackin hip house groove, chunky drums and the deft musicality synonymous with their productions. ‘the devils in the detail album has won praise from media & djs alike with accolades coming in from allies such as henrik schwarz, slope, quarion, dirk rumpff … the usual suspects… for its deep musicality, layering and attention to detail. future classic are embracing the pro vinyl ideology of keeping the mp3 files offline until the vinyl sees light of day, so watch this space for dj feedback.

with this deft , elegant weave of selected vocal cuts and deep yet undeniably driving melody ricky l creates a unique form of pure, stylish house that takes a recognisable pop aesthetic and remodels it for the soulful, sophisticated dancefloor

zeep dreams finally sees the light with a massive 12inch release featuring heavyweight and veterans on the scene da lata (patrick forge & chris franck) and afronaught (bugz in the attic) punching a string of right handers and basslines to boot. underdogs and remix competition winners, john johnson and dj lk respond to the challenge with some deft footwork and some surprise dancefloor sonics keeping a truly competitive edge to proceedings.

word we werent expecting this! this fine platter kicks off with a deft mash up of paris greys dont lead me and neurotic behaviour by psyche (carl craig) and then launches into a beefed up edit of derrick mays kaos. on the b-side is a re-edit of the kevin saunderson remix of we know it by the wee papa girl rappers. we dont know who did this and nor do we care. its a perfect party record for peak time dance floor lunacy. nothing innovative, nothing new but just adding a new twist to old classics and doing it with style. highly recommended

although he keeps his head just under the radar, jon cutler is not exactly against producing really big club tracks when he puts his mind to it. south slope sees him channel his energies into the kind of show stopping tracks that the likes of kerri chandler, dennis ferrer and quentin harris are famed for, but with a deft jazzy touch which they often ignore. the ibadan style groove is bedded in with a wonderful organ solo that serves to take the tune to the next level, while the dub mix drops the organ for a more shelter friendly tool

so this is some next shit! herve, dubsided s latest signing, is a hot new producer from west london. this debut release is just a taste of his funked-up jackin style - a perfect fit for the dubsided sound. a1 what you need the most: flitting from drum and bass-style drops, catchy vocal chops and the all-important pounding groove, all glued-together with a oizo-like attitude. b1 im mo try: the first collaboration between herve and dave taylor under his switch guise. its all about the bassline, taking herve s quirky mood and switchs trademark rumble, resulting in a solid club track. b2 lala land: vintage daft punk-sounding, funky as fuck with some deft eq ing. sounds absolutely stunning on vinyl and is perfect for people that like to drop the tempo in their sets but maintain the energy

nice price deal !!! angenehm rockistischer, leicht angesägter minimaltechno und pluckertechhouse von torontos chefrocker

excellent rockin chicago-id technotraxx / knarz style

dj koze introduces sophia kennedy - stunning debut album by 26 years old wonderwoman sophia kennedy!
elegant, melancholic, sometimes menacing, with smoldering piano melodies, desolately whistling organs, and a jaunty jaw s harp loop, kissed by the golden californian sun, or shrouded in gloomy, dreary fog: sophia kennedy is currently the most versatile composer in german pop music Ð not to mention the greatest singer. her debut album -sophia kennedy- reveals her as a dramatic romanti-cist and distanced diseuse, as a deft lyricist and master of melody. in her eleven songs, she travels from doo-wop to dubstep, from classic crooning to breathless r n b, from frank sinatra to beyoncŽ. her talent for songwriting is deeply rooted in history, yet it seeks nothing but the present: both historically versed and timelessly beautiful at the same time. all tracks have been produced by sophia kennedy and mense reents (who is known as being a member of die všgel, egoexpress, die goldenen zitronen).

electro sounds by akase

emikas new album channels electroclash era rapid-fire bass and syncopated beats amidst soaring synths. a songwriter who wears her heart on her sleeve, with deeply personal sentiments imbuing her brooding, expansive soundscapes throughout this record. the intricate, deft production flourishes that flow through the album and the breadth of moods showcased point illustrate a fully-fledged artist. pitches her voice down on the vampish miracles to duet with herself in haunting fashion.

gilles peterson prŠsentiert vierzehn neue, exklusive electronic-geheimtipps aus seinen playlists & dj-sets! die kŸnstler bewegen sich im spannungsfeld zwischen hip hop, bassmusik, deep house, r&b, drum & bass und techno sowie allen subgenres dazwischen. -brownswood electric- veršffentlichte als eine der ersten samplerserien schon frŸhzeitig tracks der heute erfolgreichen acts mount kimbie, 16bit, shlohmo und mosca!